Explore The Other Shore

Gao Xingjian

Gao Xingjian, born January 4, 1940 in Ganzhou (Jiangxi province) in eastern China, is today a French citizen. Writer of prose, translator, dramatist, director, critic and artist. Gao Xingjian grew up during the aftermath of the Japanese invasion, his father was a bank official and his mother an amateur actress who stimulated the young Gao's interest in the theatre and writing. During the Cultural Revolution (1966-76) he was sent to a re-education camp and felt it necessary to burn a suitcase full of manuscripts. Several of his experimental and pioneering plays - inspired in part by Brecht, Artaud and Beckett - were produced at the Theatre of Popular Art in Beijing: his theatrical debut with Signal d'alarme /Signal Alarm (1982) was a tempestuous success, and the absurd drama which established his reputation Arrêt de bus /Bus Stop (1983) was condemned during the campaign against "intellectual pollution" (described by one eminent member of the party as the most pernicious piece of writing since the foundation of the People's Republic); L'Homme sauvage /Wild Man (1985) also gave rise to heated domestic polemic and international attention.

In 1986 L'autre rive/The Other Shore was banned and since then none of his plays have been performed in China. In order to avoid harassment he undertook a ten-month walking-tour of the forest and mountain regions of Sichuan Province, tracing the course of the Yangzi river from its source to the coast. In 1987 he left China and settled down a year later in Paris as a political refugee. After the massacre on the Square of Heavenly Peace in 1989 he left the Chinese Communist Party. After publication of La fuite /Fugitives, which takes place against the background of this massacre, he was declared persona non grata by the regime and his works were banned. In the summer of 1982, Gao Xingjian had already started working on his prodigious novel La Montagne de l'Âme /Soul Mountain, in which - by means of an odyssey in time and space through the Chinese countryside - he enacts an individual's search for roots, inner peace and liberty. This is supplemented by the more autobiographical Le Livre d'un homme seul /One Man's Bible.

Gao Xingjian paints in ink and has had some thirty international exhibitions and provides the cover illustrations for his own books.

Awards: The Nobel Prize in Literature 2000; Chevalier de l'Ordre des Arts et des Lettres 1992; Prix Communauté française de Belgique 1994 (for Le somnambule), Prix du Nouvel An chinois 1997 (for Soul Mountain).

From Nobel Lectures, Literature 1995-2000, Editor Horace Engdahl, World Scientific Publishing Co., Singapore, 2002.